In Hear This, A.V. Club writers sing the praises of songs they know well. This week, we’re talking about bands we thought should have been bigger than they were.
Permanent Records is an ongoing closer look at the records that matter most.
The Internet features more than its share of negativity and snark—sometimes you’ve just gotta vent. But there’s plenty of room for love, too. With Fan Up, we ask pop-culture people we admire to tell us about something they really, really like.
A Place To Bury Strangers has gotten a lot of mileage out of its reputation as one of the most soaringly loud bands in the American rock underground. That said, the New York trio has been known to overindulge in its chaotic noise rock whims. It’s easy to be awed by the band’s power, but its earliest work occasionally…
The collected works of Sonny Smith are a serialized adventure, not a traditional rock discography, so each new album warrants a quick recap. When last we heard from this multi-talented San Francisco weirdnik, on the final track of 2013’s Antenna To The World, he was down in the dumps after a love triangle involving an…
In 2015, the distinction between albums and mixtapes has never been blurrier, but that didn’t stop the Internet from trying to parse which category Drake’s surprise If You’re Reading This It’s Too Late fits into. In his liner notes, the rapper referred to this unexpected release as a mixtape, and though its quickie,…
In the eight years since his last release In Our Nature, José González has continually tweaked his spare, quiet acoustic compositions through his band Junip and contributions to various soundtracks and compilations. While his newest, Vestiges & Claws, doesn’t undertake any significant departures in style, additional…
In Hear This, A.V. Club writers sing the praises of songs they know well. This week, we’re talking about bands we thought should have been bigger than they were.
According to legend, the feet of the newborn Steve Earle were placed in a sample of soil that had been shipped from his family’s native Texas. Earle’s father was working in Virginia when Earle was born, and the family wanted the first earth he touched to be Texan. It’s just one of the many tidbits and tales that make…
In Hear This, A.V. Club writers sing the praises of songs they know well. This Love Week, we’re talking about some of our favorite kiss-off cuts.
In Hear This, A.V. Club writers sing the praises of songs they know well. This Love Week, we’re talking about some of our favorite kiss-off cuts.
In Hear This, A.V. Club writers sing the praises of songs they know well. This Love Week, we’re talking about some of our favorite kiss-off cuts.
In Hear This, A.V. Club writers sing the praises of songs they know well. This Love Week, we’re talking about some of our favorite kiss-off cuts.
Following a lengthy stint as a brooding solo singer-songwriter and as the drummer for choral-folk outfit Fleet Foxes, Josh Tillman decided to rebrand himself as Father John Misty. Originating after a mushroom-fueled revelation, the moniker became a full-on persona, a goofy, mystical Lothario who sang about Canadian…
Permanent Records is an ongoing closer look at the records that matter most.
In Hear This, A.V. Club writers sing the praises of songs they know well. This Love Week, we’re talking about some of our favorite kiss-off cuts.
In We’re No. 1, The A.V. Club examines a song that went to No. 1 on the Billboard charts to get to the heart of what it means to be popular in pop music, and how that has changed over the years. In this installment, we cover Marcy Playground’s “Sex And Candy,” which spent 15 weeks at No. 1 on the Billboard Modern Rock…
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