Pop culture obsessives writing for the pop culture obsessed.
Pop culture obsessives writing for the pop culture obsessed.

Of all the histrionic emo songwriters whirling through the mainstream over the past few years, Claudio Sanchez has always stood apart: While his guyliner-clad peers wrote about bad break-ups and bitter blog posts, the Coheed And Cambria frontman crafted epics like 2005's From Fear Through The Eyes Of Madness, a science-fiction-based concept album filled with preening glam-pop choruses and fearless classic-rock guitar solos. The genre that Sanchez and his bandmates emerged from was often predictable; Coheed's music was anything but.


Yet therein lies the problem with this rather safe fourth album: Sanchez mostly recycles what worked on Coheed's last effort, sleepwalking through apocalyptic riffs on "The Hound (Of Blood And Rank)" and the Zeppelin-esque acoustic balladry of "The Reaping." The whole thing culminates with a proggy five-part suite called "The End Complete," but by that point Sanchez is out of tricks. Ultimately, Tomorrow isn't a shoddy version of what Coheed has always done, but at this point, it could have been far more inspired.

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